The writers and producers of Netflix’s The Witcher have an unenviable task. Between eight books and three games, there are copious storylines available for adaptation — if the show ran for ten seasons, it would likely not exhaust its source material. Moreover, the task of choosing and streamlining plots is further complicated by the peculiarities of the source. Sticking strictly to the books would require writers to split up the three protagonists and tell a fundamentally darker, less magical story.
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